18th/19th/early 20th Century reference. Broadway By Design: Michael Yeargan, Catherine Zuber, Donald Holder & Marc Salzberg Bring MY FAIR LADY from Page to Stage by Nicole Rosky The designer uses color to tell an origin story—dressing her in tattered blue in the opening scene, a regal blue for her first lessons, champagne at her most elegant and farthest from her roots, and back to blue in the final scene of the show. The Brooklyn Reporter published a write-up of this event on October 16. Broadway costume designer Catherine Zuber faced this challenge in the current Lincoln Center Theater revival of the musical My Fair Lady, in which Laura Benanti replaced Lauren Ambrose as Eliza, Rosemary Harris replaced Diana Rigg as Mrs. Higgins, and Danny Burstein replaced Norbert Leo Butz as Alfred P. Doolittle. I love all of it.". A wild new onstage look at the “Embassy Waltz,” recorded during a live performance. Catherine Zuber. Locafilm vous permet de louer votre film ou série au meilleur prix en comparant toutes les offres légales de location et … "Having the men in morning clothes would have broken it up a little. Scroll on to journey through 1913 London with Christine Cornish Smith. View our Privacy Policy. Eliza’s opening look in layers from the back. Catherine Zuber Last updated August 15, 2019. ", It's here we meet the Cockney flower girl Eliza Doolittle. BroadwayBox asked Christine to share with us all her lush My Fair Lady costumes, and her descriptions are just as rich and perfect as the Zuber gowns. Corsets, or a structure built into a gown that mimics the look of a corset, were still a part of women's fashion in 1913. One of Catherine Zuber’s sketches for My Fair Lady. “The blue is reminiscent of Eliza’s first costume,” tying the beginning and ends of her journey together, Zuber explains. 30 PHOTOS Zuber notes that fashion took a turn in 1910, but the poor would have been behind the times—allowing her to create an even starker comparison between the rich and poor. Select from premium Catherine Zuber of the highest quality. "It felt expected to do it that way," Zuber admits. Find the perfect Catherine Zuber stock photos and editorial news pictures from Getty Images. "I like to stay away from that because then you can have a more honest reaction that may lead to something else. JoAnna Rhinehart, Sasha Hutchings, Samantha Sturm, Catherine Zuber, Manu Narayan and Michael Yeargan . LCT: My Fair Lady (Tony, Drama Desk, Outer Critics Circle awards), JUNK, Oslo, The King and I (Olivier Award, Tony Award, OCC Award), Macbeth, Golden Boy, Joe Turner’s Come and Gone, South Pacific (Tony Award), The Coast of Utopia (Tony, DD, OCC awards), The House in Town, Awake andSing! "The goal was to create a fossilized fever dream in Eliza's mind of this world that is intimidating to her," reveals Zuber. This is most sharply on display in the iconic Ascot scene, where Eliza makes her first public appearance among the upper class in an attempt to pass her off as "one of them." “He purposely dresses incorrectly for Ascot,” says Zuber. ", It's the work done in the quiet of her own mind and studio that allows Zuber to play freely with her ideas and ruthlessly self-edit in order to get such details exactly right. "I want to hear what they have to say because the director is the captain of the ship, and I want to make sure we're on the same page. "You see the elegance of the operagoers, you see the streetwalkers and the costermongers — you have this mélange of people congregating in one place late at night. 17 Century & Earlier. As for the difficult phonetics professor, Zuber balanced his elegance with “a charming arrogance to convention.” Higgins stands out in Ascot—but not in the way of his protégé. kuyamanzano liked this . Catherine Zuber. This sea of washed-out tones isn't seen only in the clothing, but extends to the pale colors of the women's wigs and the various silhouette heights and shapes of each woman's hat. Designer. The 2018 Tony-nominated costume designer reveals the secret story hidden in the wardrobe of the Lincoln Center Theater revival. dizzy-yet liked this . But Zuber took her cue from director Bartlett Sher (a collaboration that has struck gold for Zuber; of her six Tony wins, four were under Sher’s direction). The Lincoln Center Theater revival will play its final performance in the summer; a West End bow is expected to follow. “The greatest challenge was to bring a fresh approach to My Fair Lady and, at the same time, honoring the expectations of the audience,” says costume designer Catherine Zuber, who has earned her 14th nomination for her work on this season’s revival of the classic Alan Jay Lerner and Frederick Loewe musical. C. Catherine Zuber. Costuming Legend Catherine Zuber on Charting Eliza Doolittle’s Rise in ‘My Fair Lady’ By Benjamin Lindsay | May. Catherine Zuber likes a psychological challenge. I love the collaboration and seeing it come together further to this common goal of making a production that the audience can enjoy. Watch: BEHIND THE SCENES OF THE SETS, LIGHTS, COSTUMES, AND SOUNDS OF MY FAIR LADY. 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