Essential Cinema Does this topic need a new article? Sitney attended Yale University, where he received an A.B. Anthology Film Archives: The Essential Cinema (1975, Paperback) Be the first to write a review. Anthology Film Archives’ Essential Cinema Repertory Collection . Life. Anthology Film Archives opened on November 30, 1970 at Joseph Papp’s Public Theater. To celebrate half a century devoted to avant-garde cinema, Anthology has just made the entire thirty-five-minute … 03 May 2010; by Mike Everleth; Underground Film Journal ; First the history, then the list: In 1969, Jerome Hill, P. Adams Sitney, Peter Kubelka, Stan Brakhage, and Jonas Mekas decided to open the world’s first museum devoted to film. Anthology Film Archives is an international center for the preservation, study, and exhibition of film and video, with a particular focus on independent, experimental, and avant-garde cinema. Essential Cinema programs screen as a cycle throughout each year – tickets for these screenings are $8 general, and are free for members! All funding to the Anthology project was cut off. Anthology Film Archives’ Essential Cinema. (212) 505-5181  |  Contact  |  Press  |  Website Development by Reflexions Data and TransFuture  |  Terms of Use. A section for this article. Anthology Film Archives’ Essential Cinema Repertory Collection. They were not aware of the fact that the Essential Cinema Repertory was intended to serve as a permanent critical tool with new titles continuously added including possibly the titles that the critics of Anthology had in mind. 1960-1970] (bulk) Campbell University, Wiggins Memorial Library: referencedIn: Benedict Tatti Papers, 1936-2011, bulk 1945-1993 Archives of American Art: creatorOf: Anthology Film Archives. With the enthusiastic support of Jerome Hill, the Committee, consisting of P. Adams Sitney, Peter Kubelka, James Broughton, Ken Kelman, and myself – and for a brief period Stan Brakhage – began its work. Don't miss out! It was an ambitious attempt to define the art of cinema. Frenhofer and the Minotaur, 1949The Lead Shoes, 1949Francis Picabia:Entr’acte, 1924 (with René Clair)Vsevolod Pudovkin:Mat, 1926 (Mother)Man Ray:Le Retour à la Raison, 1923 (Return to Reason)Emak Bakia, 1927Etoile de Mer, 1928Anemic Cinema, 1926 (with Marcel Duchamp)Jean Renoir:La Règle du Jeu, 1939 (Rules of the Game)Ron Rice:Chumlum, 1964Hans Richter:Rhythmus 21, 1921Alles Dreht Sich, Alles Bewegt Sich, 1929 (Everything Revolves, Everything Turns)Zweigroschenzauber, 1929 (Two Pence Magic)Leni Riefenstahl:Triumph des Willens, 1934-35 (Triumph of the Will)Olympia, 1938Roberto Rossellini:Francesco, Giullare di Dio, 1949 (The Flowers of St. Francis)La Prise de Pouvoir par Louis XIV, 1966 (The Rise to Power of Louis XIV)Walter Ruttmann:Berlin, die Symphonie der Grosstadt, 1927 (Berlin: Symphony of a City)Paul Sharits:N:O:T:H:I:N:G, 1968T,O,U,C,H,I,N,G, 1969S:TREAM:S:S:ECTION:S:ECTION:S:S:ECTIONED, 1968-70Color Sound Frames, 1974Harry Smith:No. An international center for the preservation, study, and exhibition of film and video with a particular focus on American independent and avant-garde cinema and its precursors found in classic European, Soviet and Japanese film. An international center for the preservation, study, and exhibition of film and video with a particular focus on American independent and avant-garde cinema and its precursors found in classic European, Soviet and Japanese film. It was decided that one of its main functions would be to serve as a continuous critical tool in the investigation of the essential works created in cinema. 11, c. 1957 (Mirror Animations)No. 1957Douglass Crockwell:Glens Falls Sequence, 1946The Long Bodies, 1949Maya Deren:Meshes of the Afternoon, 1943 (with Alexander Hammid)At Land, 1944A Study in Choreography for Camera, 1945Ritual in Transfigured Time, 1946Alexandr Dovzhenko:Zvenigora, 1928Arsenal, 1929Zemlya, 1930 (Earth)Ivan, 1932Aerograd, 1935 (Frontier)Carl Th. 12, c. 1958-61 (Heaven and Earth Magic Feature)No. [P Adams Sitney; Anthology Film Archives. With James Broughton. Pre-owned: Lowest price. Ongoing "A very special series of films screened on a repertory basis, the Essential Cinema Repertory collection consists of 110 programs/330 titles assembled in 1970-75 by Anthology’s Film Selection Committee – James Broughton, Ken Kelman, Peter Kubelka, P. Adams Sitney, and Jonas Mekas. A very special series of films screened on a repertory basis, the Essential Cinema Repertory collection consists of 110 programs/330 titles assembled in 1970-75 by Anthology’s Film Selection Committee: James Broughton, Ken Kelman, Peter Kubelka, P. Adams Sitney, and Jonas Mekas. )Shestaya Chast Mira, 1926 (The Sixth Part of the World)Odinnadtsati, 1928 (The Eleventh Year)Chelovek s Kinoapparatom, 1929 (Man With a Movie Camera)Entuziasm, 1931 (Enthusiasm)Tri Pesni O Leninye, 1934 (Three Songs About Lenin)Jean Vigo:A Propos de Nice, 1929-30Taris, 1931Zéro de Conduite, 1933 (Zero for Conduct)L’Atalante, 1934Andy Warhol:Eat, 1963Chelsea Girls, 1966Two Other Programs per Cycle (Including: Kiss, 1963; Blow Job, 1963; Harlot, 1964; My Hustler, 1965; Sausalito, 1967)James Sibley Watson & Melville Webber:The Fall of the House of Usher, 1928Orson Welles:Citizen Kane, 1941James Whitney:Lapis, 1963-66John & James Whitney:Film Exercises 1-5, 1943-45, Anthology Film Archives 32 Second Avenue New York, NY 10003 Dreyer:Prastankan, 1921 (The Parson’s Widow)Michael, 1924La Passion de Jeanne D’Arc, 1928 (The Passion of Joan of Arc)Vampyr, 1932Vredens Dag, 1943 (Day of Wrath)Ordet, 1955 (The Word)Gertrud, 1965Marcel Duchamp:Anemic Cinema, 1926 (with Man Ray)Viking Eggeling:Symphonie Diagonale, 1924Sergei Eisenstein:Stachka, 1925 (Strike)Bronenosets Potyomkin, 1925 (Battleship Potemkin)Oktyabr, 1928 (October)Staroye i Novoye, 1929 (Old and New)Ivan Grozny, I, II, 1944, 1946 (Ivan the Terrible)Jean Epstein:La Glace à Trois Faces, 1927 (The Three-Sided Mirror)La Chute de la Maison Usher, 1928 (The Fall of the House of Usher)Louis Feuillade:Fantomas, 1913-14Les Vampires, 1915Tih Minh, 1919Robert Flaherty:Nanook of the North, 1922Man of Aran, 1934Bob Fleischner:Blonde Cobra, 1962 (with Ken Jacobs)Hollis Frampton:Zorns Lemma, 1970Hapax Legomena I: (nostalgia), 1971Georges Franju:Le Sang des Betes, 1949 (Blood of the Beasts)Robert Frank:Pull My Daisy, 1959 (with Alfred Leslie)Ernie Gehr:Reverberation, 1969Serene Velocity, 1970Still, 1971Jean Genet:Un Chant D’Amour, 1950 (The Song of Love)Dwinell Grant:Contrathemis, 1941Stop Motion Tests, 1942Color Sequence, 1943D. There are, as always, a lot of interesting offerings... most immediately, there are several films this weekend from the Anthology's Essential Cinema collection. Owen Land):Fleming Faloon, 1964Film in which there Appear, Sprocket Holes, Edge Lettering, Dirt Particles, etc., 1966Diploteratology or Bardo Follies, 1967The Film that Rises to the Surface of Clarified Butter, 1968Institutional Quality, 1969Remedial Reading Comprehension, 1971What's Wrong With This Picture?, 1972Thank You Jesus for the Eternal Present (Parts 1 & 2), 1973-74Laurel and Hardy:Selected Films (One Program per Cycle)Fernand Léger:Ballet Mécanique, 1924 (with Dudley Murphy)Alfred Leslie:Pull My Daisy, 1959 (with Robert Frank)Helen Levitt:In the Street, 1952 (with Agee & Loeb)Janice Loeb:In the Street, 1952 (with Agee & Levitt)Louis & Auguste Lumière:Selected Films (One Program per Cycle)Len Lye:Tusalava, 1928Trade Tattoo, 1937Rhythm, 1953Free Radicals, 1958Willard Maas:Geography of the Body, 1943Christopher MacLaine:The End, 1953Gregory Markopoulos:Du Sang, de la Volupte et de la Mort, 1947-48 (Of Blood, of Pleasure and of Death)Psyche, 1948Swain, 1950Twice a Man, 1963Himself as Herself, 1966Ming Green, 1966Eros, O Basileus, 1966The Illiac Passion, 1967Gammelion, 1968Jonas Mekas:Walden: Diaries, Notes and Sketches, 1964-69Reminiscences of a Journey to Lithuania, 1971Georges Méliès:Selected Films (Four Programs)Selected Films (Five Programs)Selected Films (Four Programs)Marie Menken:Glimpse of the Garden, 1957Arabesque for Kenneth Anger, 1961Eye Music in Red Major, 1961Notebook, 1962-63Go! 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